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Signwriting

Gavin Ambrose

Gavin Ambrose is an author, educator and practicing graphic designer whose client base includes the art sector, galleries, publishers and advertising agencies. He has written and designed numerous books on graphic design, branding and packaging. Author affiliation details are correct at time of print publication.

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Paul Harris

Paul Harris is a freelance writer and editor whose work appears extensively in magazines and journals in the US and UK. Author affiliation details are correct at time of print publication.

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The Visual Dictionary of Typography

AVA Publishing SA, 2010

Book chapter

1

...The traditional process of writing signs. Prior to the development of signmaking technology using neon, plastic and other materials, signs were painted by hand. Pictured is signwriter Gary Wells, commissioned by Gavin Ambrose to add text to the walls of a pub and restaurant. The text was pencilled on to the wall and then painted in enamel....

Ink Well

Gavin Ambrose

Gavin Ambrose is an author, educator and practicing graphic designer whose client base includes the art sector, galleries, publishers and advertising agencies. He has written and designed numerous books on graphic design, branding and packaging. Author affiliation details are correct at time of print publication.

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and

Paul Harris

Paul Harris is a freelance writer and editor whose work appears extensively in magazines and journals in the US and UK. Author affiliation details are correct at time of print publication.

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The Visual Dictionary of Graphic Design

AVA Publishing SA, 2007

Book chapter

3

... although many fonts still include them.Pictured is Bell Centennial, a font with exaggerated ink wells, created by Matthew Carter in 1976 for the American telephone company Bell....

Story Design

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Basics Animation 01: Scriptwriting

AVA Publishing SA, 2007

Book chapter

1

... hands the ball to Charlie. Marv looks at the ball then at Sizzles. He is torn. Charlie: We could play just one game, Marv? He sagely looks at Sizzles. All of the others look at Sizzles as well. Marv: Who is going to look after Sizzles Lola...

Animation in Alternative Contexts

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Basics Animation 01: Scriptwriting

AVA Publishing SA, 2007

Book chapter

1

... with theories of suspension of belief but ultimately delivered a well-told, magical story to the audience. As White recalls: ‘To begin with, finding a theme of a play that would be suited to animation was a challenge. Arguably, any topic could...

Genres in Animation

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Basics Animation 01: Scriptwriting

AVA Publishing SA, 2007

Book chapter

1

... writers use traditional notions of genre (Wells, 2002), either using the conventions to express contemporary ideas and themes, or often through parody, playing on the audience’s knowledge of the conventions for comic effects. Animation, though,...

Definitions

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Basics Animation 01: Scriptwriting

AVA Publishing SA, 2007

Book chapter

1

... it is crucial that there is a complete understanding of the specific vocabulary available in animation, as well as the skills and knowledge required to express ideas as a ‘traditional’ scriptwriter.This first section explores...

Initial Approaches

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Basics Animation 01: Scriptwriting

AVA Publishing SA, 2007

Book chapter

0

...Title: Max MillerAnimator: Brian LarkinsOnce the animation writer has a sense of the language at their disposal and a recognition of the context in which they might work, it is essential to generate relevant and engaging material...

The Animator as Performer

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Samantha Moore

Samantha Moore teaches animation at the University of Wolverhampton, UK. Author affiliation details are correct at time of print publication.

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The Fundamentals of Animation

Fairchild Books, 2016

Book chapter

1

... is something we are considering as we are developing the storyboard. We cast for not how big a star they are, but how good an actor they are – how well their natural voice fits in with the character’s persona that we are trying to put...

Writing Styles

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Basics Animation 01: Scriptwriting

AVA Publishing SA, 2007

Book chapter

1

... of the film tells the story pretty well by itself and an attentive listener will understand the gist of what Brian is saying, and feel the emotions behind it. The text of his narration is included here. Text: Shira: So, um, tell me what...

The Animator as Editor

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Samantha Moore

Samantha Moore teaches animation at the University of Wolverhampton, UK. Author affiliation details are correct at time of print publication.

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The Fundamentals of Animation

Fairchild Books, 2016

Book chapter

1

... at the script, storyboarding, layout and shooting script stages, as well as in the final execution of the work.Jamie McCoan, an experienced editor of both live-action drama and animated films, offers some points on the place of editing...