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Your Name in Lights: Venues for Animation

Heather D. Freeman

Heather D. Freeman is Associate Professor of Digital Media at the University of North Carolina at Charlotte, US. She teaches 2D and 3D digital animation, video, digital print, sound art, small-screen interactivity, installation art, and drawing. She primarily teaches introductory and intermediate digital media and animation courses to students with concentrations in graphic design, digital media, illustration, photography and printmaking, although she occasionally has students concentrating in painting, ceramics, fiber art and sculpture in her classes. To accommodate this vast diversity of interests and applications, she approaches digital technologies as tools for the creation of works grounded on solid conceptualization and formalization. With this approach, both graphic designers and printmakers can learn the same software and technical applications, but apply these tools to their own formal and conceptual concerns. Author affiliation details are correct at time of print publication.

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The Moving Image Workshop : Introducing Animation, Motion Graphics and Visual Effects in 45 Practical Projects

Fairchild Books, 2016

Book chapter

...Many who take art classes refer to themselves as “art students”; in reality, these individuals are artists and designers who also happen to be taking art classes. Most professionals had their first work and exhibition experiences while...

Postgraduate Opportunties

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Samantha Moore

Samantha Moore teaches animation at the University of Wolverhampton, UK. Author affiliation details are correct at time of print publication.

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The Fundamentals of Animation

Fairchild Books, 2016

Book chapter

...In what is now a hugely competitive area of work, success at undergraduate level or other training initiatives may not be sufficient. If, having read the demands of a portfolio or CV, or the requirements in setting up an independent...

Portfolio

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Samantha Moore

Samantha Moore teaches animation at the University of Wolverhampton, UK. Author affiliation details are correct at time of print publication.

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The Fundamentals of Animation

Fairchild Books, 2016

Book chapter

...One of the key aspects of becoming a professional animator and working in the creative industries in general is the ability to present a portfolio to a potential employer. This is usually a CV (or résumé), a show reel and the materials...

The Team

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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The Fundamentals of Film-Making

AVA Publishing SA, 2008

Book chapter

...The vast array of credits at the end of a film can be confusing for the uninitiated. This section will unravel and explain some of the key roles, indicating how the team or crew collaborate to produce the finished film.Employment is usually...

Learning Curves

Charlotte Worthington

Charlotte Worthington is Programme Leader for the BA (Hons) Film at Puttnam School of Film and Animation-LASALLE College of the Arts in Singapore. Author affiliation details are correct at time of print publication.

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Basics Film-Making 01: Producing

AVA Publishing SA, 2009

Book chapter

...Breathing In Breathing In is a short drama produced by Oliver Goodrum, one of the up-and-coming producers featured in this chapter.The most effective way to learn how to be a producer is to get up and do it.This final chapter looks...

Producing Documentary

Charlotte Worthington

Charlotte Worthington is Programme Leader for the BA (Hons) Film at Puttnam School of Film and Animation-LASALLE College of the Arts in Singapore. Author affiliation details are correct at time of print publication.

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Basics Film-Making 01: Producing

AVA Publishing SA, 2009

Book chapter

...Hair There are many ways to tell stories and make films, and Hair, a short documentary about a London hairdresser, is just one of them.The first two chapters of this book have been designed to lay down the basic building blocks needed...

Producing Drama

Charlotte Worthington

Charlotte Worthington is Programme Leader for the BA (Hons) Film at Puttnam School of Film and Animation-LASALLE College of the Arts in Singapore. Author affiliation details are correct at time of print publication.

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Basics Film-Making 01: Producing

AVA Publishing SA, 2009

Book chapter

...Drama production Making a drama production, often with little or no money, is a challenging process. Nonetheless, it is a very rewarding one for the committed producer.We’ve looked at the starting points for producing documentary, now we’ll...

Motion, Film, and Theater

Steven Brower

Steven Brower is an award-winning graphic designer and writer, and teaches at Marywood University, Scranton, USA. Author affiliation details are correct at time of print publication.

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Inside Art Direction : Interviews and Case Studies

Fairchild Books, 2016

Book chapter

...Keeping an audience entertained requires a different set of art directing skills than simply conveying information. In the case of motion graphics one needs to be able to keep the viewer’s attention as your work moves through time...

Working as an Independent

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Samantha Moore

Samantha Moore teaches animation at the University of Wolverhampton, UK. Author affiliation details are correct at time of print publication.

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The Fundamentals of Animation

Fairchild Books, 2016

Book chapter

...‘Employability’ in the animation and creative industries can be understood in a number of ways.The ‘portfolio’ discussed earlier is largely constructed with studio/independent companies in mind, and is concerned with applying for particular...

Producing Magazine Shows

Charlotte Worthington

Charlotte Worthington is Programme Leader for the BA (Hons) Film at Puttnam School of Film and Animation-LASALLE College of the Arts in Singapore. Author affiliation details are correct at time of print publication.

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Basics Film-Making 01: Producing

AVA Publishing SA, 2009

Book chapter

...Programme formats There is now a wide and varied range of television programme formats available to the viewer. Breakfast TV, game shows, sitcoms, talk shows and reality TV.Today’s TV schedules are filled with a wide and varied range...