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Drawing and adaptation

Paul Wells

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Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Joanna Quinn

Joanna Quinn is a major figure in world animation, receiving two Academy Award nominations and winning Emmys, Baftas, and Jury prizes worldwide. She lectures at universities and film schools in Britain and abroad. Author affiliation details are correct at time of print publication.

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Les Mills

Les Mills was the course director in Film and Animation Production at the University of Wales. He now runs an animation production studio in Cardiff with Joanna Quinn. Les’s work has received an Oscar nomination and won three Emmys. Author affiliation details are correct at time of print publication.

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Basics Animation 03: Drawing for Animation

AVA Publishing SA, 2009

Book chapter

...titleNBC advertisementartistAl Hirschfield / JJ SedelmaierAdaptation – the process of animating images using someone else’s established drawing or graphic style – has become an important aspect of professional animation drawing, with ever...

Your Name in Lights: Venues for Animation

Heather D. Freeman

Heather D. Freeman is Associate Professor of Digital Media at the University of North Carolina at Charlotte, US. She teaches 2D and 3D digital animation, video, digital print, sound art, small-screen interactivity, installation art, and drawing. She primarily teaches introductory and intermediate digital media and animation courses to students with concentrations in graphic design, digital media, illustration, photography and printmaking, although she occasionally has students concentrating in painting, ceramics, fiber art and sculpture in her classes. To accommodate this vast diversity of interests and applications, she approaches digital technologies as tools for the creation of works grounded on solid conceptualization and formalization. With this approach, both graphic designers and printmakers can learn the same software and technical applications, but apply these tools to their own formal and conceptual concerns. Author affiliation details are correct at time of print publication.

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The Moving Image Workshop : Introducing Animation, Motion Graphics and Visual Effects in 45 Practical Projects

Fairchild Books, 2016

Book chapter

...Many who take art classes refer to themselves as “art students”; in reality, these individuals are artists and designers who also happen to be taking art classes. Most professionals had their first work and exhibition experiences while...

Drawing characters and concepts

Paul Wells

,

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Joanna Quinn

Joanna Quinn is a major figure in world animation, receiving two Academy Award nominations and winning Emmys, Baftas, and Jury prizes worldwide. She lectures at universities and film schools in Britain and abroad. Author affiliation details are correct at time of print publication.

Search for publications
and

Les Mills

Les Mills was the course director in Film and Animation Production at the University of Wales. He now runs an animation production studio in Cardiff with Joanna Quinn. Les’s work has received an Oscar nomination and won three Emmys. Author affiliation details are correct at time of print publication.

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Basics Animation 03: Drawing for Animation

AVA Publishing SA, 2009

Book chapter

...title2D or Not 2DanimatorPaul DriessenThis chapter features case studies from a range of artists at varying stages in their careers who have engaged with drawing in a distinctive way, and created work that exemplifies many...

First Draft

Robert Edgar-Hunt

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Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is Senior Lecturer in Film and Literature at York St John University where he has both taught and developed undergraduate courses in Scriptwriting. Author affiliation details are correct at time of print publication.

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James Richards

James Richards

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Basics Film-Making 02: Screenwriting

AVA Publishing SA, 2012

Book chapter

...The Spy Who Loved Me (dir: Lewis Gilbert 1977)What is the Bond villain’s downfall? They break the golden rule of how to successfully dispense with your nemesis. This is also the golden rule of screenwriting – keep it simple.The patron saint...

Second Draft

Robert Edgar-Hunt

,

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is Senior Lecturer in Film and Literature at York St John University where he has both taught and developed undergraduate courses in Scriptwriting. Author affiliation details are correct at time of print publication.

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James Richards

James Richards

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Basics Film-Making 02: Screenwriting

AVA Publishing SA, 2012

Book chapter

...The Apartment (dir: Billy Wilder 1960)Refining your script is essential. Long expositionary dialogue could have been used to let us know about Baxter’s predicament. Yet, the recurrent image of Baxter trapped in the vast office says it all...

Script Editing

Robert Edgar-Hunt

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Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is Senior Lecturer in Film and Literature at York St John University where he has both taught and developed undergraduate courses in Scriptwriting. Author affiliation details are correct at time of print publication.

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and

James Richards

James Richards

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Basics Film-Making 02: Screenwriting

AVA Publishing SA, 2012

Book chapter

...The Bad and the Beautiful (dir: Vincente Minnelli 1952)Jonathan Shields’s determination to be a Hollywood big shot makes him the villain of the piece. His success is at the expense of the writers. Effective script editing is about working...

Focusing the idea

Barry J. C. Purves

Barry Purves is a stop-motion animator and director with more than thirty years' experience. His films have won more than 60 major international awards, including Grand Prix's, Best Director, Best Film, and Oscar and BAFTA nominations. He has been involved with such diverse works as The Wind in the Willows, The Pied Piper of Hamelin, Chorlton and the Wheelies, Rupert Bear, Mars Attacks!, King Kong and Hamilton Mattress. Barry has held master classes in most of the major animation studios and colleges around the world and is the author of Stop Motion: Passion, Process and Performance. Author affiliation details are correct at time of print publication.

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Stop-motion Animation : Frame by Frame Film-making with Puppets and Models

Fairchild Books, 2014

Book chapter

...In this chapter, we will look at how the particular and quite extraordinary qualities of stop-motion lend themselves perfectly to certain stories and characters but may look inappropriate when used in other contexts.We’ll also consider how...

Ideology

Robert Edgar

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Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Publications include Screenwriting (2009) and Directing Fiction (2010) and most recently the second edition of The Language of Film (Bloomsbury, 2015). Research projects include work on Hitchcock and Herrmann, contemporary television and Top Gear. Robert was a co-editor of The Music Documentary: Acid Rock to Electropop (2013). Author affiliation details are correct at time of print publication.

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John Marland

John Marland is Senior Lecturer in Film and Literature at York St John University where he has both taught and developed undergraduate courses in Scriptwriting. Author affiliation details are correct at time of print publication.

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Steven Rawle

Steven Rawle is a Senior Lecturer in Film Studies at York St. John University, UK, where he teaches film form and the politics of global cultural production at undergraduate and postgraduate levels. Author affiliation details are correct at time of print publication.

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The Language of Film

Fairchild Books, 2015

Book chapter

...director Richard Lester Richard Lester is an interesting director forthose who are intrigued by the disruption of reality and film form. His playful style reminds the audience that they are watching a piece of fiction. The inclusion of John...

Making Meaning

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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The Fundamentals of Film-Making

AVA Publishing SA, 2008

Book chapter

...Film production students have been known to complain about how boring and unnecessary film theory can be. They do not understand how theorists have read into the content in such a detailed and seemingly bizarre fashion. It is true...

Post-Production

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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The Fundamentals of Film-Making

AVA Publishing SA, 2008

Book chapter

...When production is finished and the film is shot the post-production phase begins. This is when the editor puts all of the footage that has been filmed out of sequence back into the correct order so that is makes narrative sense. During...