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Post-Production

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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The Fundamentals of Film-Making

AVA Publishing SA, 2008

Book chapter

...When production is finished and the film is shot the post-production phase begins. This is when the editor puts all of the footage that has been filmed out of sequence back into the correct order so that is makes narrative sense. During...

Sound

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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The Fundamentals of Film-Making

AVA Publishing SA, 2008

Book chapter

...Sound is often considered the poor relation to picture in film-making. Starting as a silent medium without dialogue, films were typically screened accompanied by a pianist who played along, creating atmosphere and heightening the narrative...

Sound

Robert Edgar

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Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Publications include Screenwriting (2009) and Directing Fiction (2010) and most recently the second edition of The Language of Film (Bloomsbury, 2015). Research projects include work on Hitchcock and Herrmann, contemporary television and Top Gear. Robert was a co-editor of The Music Documentary: Acid Rock to Electropop (2013). Author affiliation details are correct at time of print publication.

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John Marland

John Marland is Senior Lecturer in Film and Literature at York St John University where he has both taught and developed undergraduate courses in Scriptwriting. Author affiliation details are correct at time of print publication.

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Steven Rawle

Steven Rawle is a Senior Lecturer in Film Studies at York St. John University, UK, where he teaches film form and the politics of global cultural production at undergraduate and postgraduate levels. Author affiliation details are correct at time of print publication.

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The Language of Film

Fairchild Books, 2015

Book chapter

...director Brian De Palma A variant on Antonioni’s Blow-Up(1966), De Palma’s film is about the power of sound; collecting sounds for a slasher film one night, a sound technician thinks he records a murder. The film plays with our subjective...

Post-production

Robert Edgar Hunt

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Publications include Screenwriting (2009) and Directing Fiction (2010) and most recently the second edition of The Language of Film(Bloomsbury, 2015). Research projects include work on Hitchcock and Herrmann, contemporary television and Top Gear. Robert was a co-editor of The Music Documentary: Acid Rock to Electropop (2013). Author affiliation details are correct at time of print publication.

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Basics Film-Making 03: Directing Fiction

AVA Publishing SA, 2010

Book chapter

...Apocalypse Now (dir: Francis Ford Coppola 1979)Editing the film is only one of the activities involved in the post-production process, which will take you right through to exhibition and distribution.Of all the film-making stages...

Critical Evaluation

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Samantha Moore

Samantha Moore teaches animation at the University of Wolverhampton, UK. Author affiliation details are correct at time of print publication.

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The Fundamentals of Animation

Fairchild Books, 2016

Book chapter

...Throughout the process of creating any animated film there needs to be a degree of objectivity in monitoring progress and evaluating each aspect of the work as it unfolds.Critical evaluation may be achieved in a number of ways at both...

Producing Drama

Charlotte Worthington

Charlotte Worthington is Programme Leader for the BA (Hons) Film at Puttnam School of Film and Animation-LASALLE College of the Arts in Singapore. Author affiliation details are correct at time of print publication.

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Basics Film-Making 01: Producing

AVA Publishing SA, 2009

Book chapter

...Drama production Making a drama production, often with little or no money, is a challenging process. Nonetheless, it is a very rewarding one for the committed producer.We’ve looked at the starting points for producing documentary, now we’ll...

Title Sequences

Mark Wigan

Mark Wigan was subject leader for illustration at Camberwell College, UK, and later for Graphic Design at the University of Salford, UK. He is currently a lecturer in illustration at Hull College, UK. Author affiliation details are correct at time of print publication.

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The Visual Dictionary of Illustration

AVA Publishing SA, 2009

Book chapter

...Visual images and sounds used to present various information on a film or television programme. Title sequences include film titles, cast members and production credits. Saul Bass pioneered the development of the film title sequence...

Concepts

Ian Crook

Ian Crook is a senior lecturer on the Media Technology BSc (Hons) programmes at the University of Central Lancashire, UK. Author affiliation details are correct at time of print publication.

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Peter Beare

Peter Beare is the course leader for Media Production & Technology at the University of Central Lancashire, and is an alumni of the Media Technology Programme. Author affiliation details are correct at time of print publication.

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Motion Graphics : Principles and Practices from the Ground Up

Fairchild Books, 2016

Book chapter

...A tool is an intuitive device, the perfect appliance to assist with a very specific task. Its form and function are so intuitively connected that we would never consider using an alternative, and we would never have to ask for operating...

Producing Magazine Shows

Charlotte Worthington

Charlotte Worthington is Programme Leader for the BA (Hons) Film at Puttnam School of Film and Animation-LASALLE College of the Arts in Singapore. Author affiliation details are correct at time of print publication.

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Basics Film-Making 01: Producing

AVA Publishing SA, 2009

Book chapter

...Programme formats There is now a wide and varied range of television programme formats available to the viewer. Breakfast TV, game shows, sitcoms, talk shows and reality TV.Today’s TV schedules are filled with a wide and varied range...

Recording and Recreating Motion

Ian Crook

Ian Crook is a senior lecturer on the Media Technology BSc (Hons) programmes at the University of Central Lancashire, UK. Author affiliation details are correct at time of print publication.

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Peter Beare

Peter Beare is the course leader for Media Production & Technology at the University of Central Lancashire, and is an alumni of the Media Technology Programme. Author affiliation details are correct at time of print publication.

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Motion Graphics : Principles and Practices from the Ground Up

Fairchild Books, 2016

Book chapter

...Most of the preceding chapters have concentrated on some form of mark making, digital or otherwise. The motion that is created is generated by the user, often within the computer through the manipulation of objects over time and through...