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Set Decoration

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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Production Design for Screen : Visual Storytelling in Film and Television

Bloomsbury Visual Arts, 2017

Book chapter

...From Hell (2001, Hughes brothers, PD Martin Childs). Design contrast achieved through the home and the street. The Inspector’s home is decorated to highlight the absence of his wife.The dressing of a setting involves choosing furniture...

Making an Independent Film

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Samantha Moore

Samantha Moore teaches animation at the University of Wolverhampton, UK. Author affiliation details are correct at time of print publication.

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The Fundamentals of Animation

Fairchild Books, 2016

Book chapter

...In 1967, UBU Films in Australia created a manifesto that insisted upon the idea that an independent abstract film could be made under any circumstances. It was designed to reject the ‘studio’ ethos and to encourage the disempowered creative...

Producing

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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The Fundamentals of Film-Making

AVA Publishing SA, 2008

Book chapter

...The producer makes the project happen; they are responsible for assembling the cast and crew and negotiating their contracts. The production process begins with planning, whether making a drama or a documentary.Production moves through...

The Team

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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The Fundamentals of Film-Making

AVA Publishing SA, 2008

Book chapter

...The vast array of credits at the end of a film can be confusing for the uninitiated. This section will unravel and explain some of the key roles, indicating how the team or crew collaborate to produce the finished film.Employment is usually...

The Animator as Editor

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Samantha Moore

Samantha Moore teaches animation at the University of Wolverhampton, UK. Author affiliation details are correct at time of print publication.

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The Fundamentals of Animation

Fairchild Books, 2016

Book chapter

...Animators as a rule and not unsurprisingly think about animation, but it is important to think, as has already been stressed in this book, about the wider craft of film-making too. Considering the editing, for example, might be important...

The Animator as Performer

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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and

Samantha Moore

Samantha Moore teaches animation at the University of Wolverhampton, UK. Author affiliation details are correct at time of print publication.

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The Fundamentals of Animation

Fairchild Books, 2016

Book chapter

...Whether working through the pencil, a puppet or pixels, the need to express thought, emotion and action is fundamental to effective animated sequences, and while many voice artists are given credit for the performances in animated films –...

Movement and performance

Barry J. C. Purves

Barry Purves is a stop-motion animator and director with more than thirty years' experience. His films have won more than 60 major international awards, including Grand Prix's, Best Director, Best Film, and Oscar and BAFTA nominations. He has been involved with such diverse works as The Wind in the Willows, The Pied Piper of Hamelin, Chorlton and the Wheelies, Rupert Bear, Mars Attacks!, King Kong and Hamilton Mattress. Barry has held master classes in most of the major animation studios and colleges around the world and is the author of Stop Motion: Passion, Process and Performance. Author affiliation details are correct at time of print publication.

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Stop-motion Animation : Frame by Frame Film-making with Puppets and Models

Fairchild Books, 2014

Book chapter

...In this final chapter we will not only look at how to get clear readable animation but also how to make it mean something. We’ll talk about the particular qualities and quirks of stop-motion, its unpredictability and its physicality...

Preliminaries

Robert Edgar Hunt

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Publications include Screenwriting (2009) and Directing Fiction (2010) and most recently the second edition of The Language of Film(Bloomsbury, 2015). Research projects include work on Hitchcock and Herrmann, contemporary television and Top Gear. Robert was a co-editor of The Music Documentary: Acid Rock to Electropop (2013). Author affiliation details are correct at time of print publication.

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Basics Film-Making 03: Directing Fiction

AVA Publishing SA, 2010

Book chapter

...The Eiger Sanction (dir: Clint Eastwood 1975)Directing a film can seem like climbing the North Face of the Eiger; a hard slog most of the way. You’ll feel apprehensive, exhausted, possibly slightly sick from the ‘altitude’, but the view...

Sound

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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The Fundamentals of Film-Making

AVA Publishing SA, 2008

Book chapter

...Sound is often considered the poor relation to picture in film-making. Starting as a silent medium without dialogue, films were typically screened accompanied by a pianist who played along, creating atmosphere and heightening the narrative...

Producing Drama

Charlotte Worthington

Charlotte Worthington is Programme Leader for the BA (Hons) Film at Puttnam School of Film and Animation-LASALLE College of the Arts in Singapore. Author affiliation details are correct at time of print publication.

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Basics Film-Making 01: Producing

AVA Publishing SA, 2009

Book chapter

...Drama production Making a drama production, often with little or no money, is a challenging process. Nonetheless, it is a very rewarding one for the committed producer.We’ve looked at the starting points for producing documentary, now we’ll...