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David Präkel has enjoyed a successful and diverse career in journalism, photography and education. He has taught photography at all levels in the UK and America, at the prestigious Kodak Imaging Training Centre and in his own training workshops in Northumberland. Author affiliation details are correct at time of print publication.

David Präkel has enjoyed a successful and diverse career in journalism, photography and education. He has taught photography at all levels in the UK and America, at the prestigious Kodak Imaging Training Centre and in his own training workshops in Northumberland. Author affiliation details are correct at time of print publication.

David Präkel has enjoyed a successful and diverse career in journalism, photography and education. He has taught photography at all levels in the UK and America, at the prestigious Kodak Imaging Training Centre and in his own training workshops in Northumberland. Author affiliation details are correct at time of print publication.

David Präkel has enjoyed a successful and diverse career in journalism, photography and education. He has taught photography at all levels in the UK and America, at the prestigious Kodak Imaging Training Centre and in his own training workshops in Northumberland. Author affiliation details are correct at time of print publication.

David Präkel has enjoyed a successful and diverse career in journalism, photography and education. He has taught photography at all levels in the UK and America, at the prestigious Kodak Imaging Training Centre and in his own training workshops in Northumberland. Author affiliation details are correct at time of print publication.

Jesse Alexander is a freelance photographer, writer and educator. He has contributed articles and criticism for numerous print and online photographic publications and has taught photography and visual culture in colleges and universities in the UK. Jesse completed an MFA in Documentary Photography at the University of Wales, Newport and continues to pursue documentary projects that explore our socio-political relationship to the landscape and our environment. Author affiliation details are correct at time of print publication.

Gavin Ambrose is an author, educator and practicing graphic designer whose client base includes the art sector, galleries, publishers and advertising agencies. He has written and designed numerous books on graphic design, branding and packaging. He currently teaches the Graphic Design BA at the University of Brighton. Author affiliation details are correct at time of print publication.

Paul Harris is a freelance writer and editor whose work appears extensively in magazines and journals in the US and UK. Author affiliation details are correct at time of print publication.

Lisa Pritchard has been working with and advising professional photographers for more than two decades. Starting her career at a well known photo library, she went on to establish herself as one of the UK’s leading photographers agents and stills producers, setting up her own agency, LPA (Lisa Pritchard Agency) in 2001. Lisa is a frequent guest speaker at photography colleges and seminars, a regular judge of photography competitions and a well known contributor to the trade press. More information can be found on her at www.lisapritchard.com. Author affiliation details are correct at time of print publication.

Thomas Werner, Assistant Professor, Parsons The New School for Design in New York, USA. A former photography consultant for Reed Krakoff of Reed Krakoff and COACH, Thomas currently lectures internationally on Fashion, Photography, Education, Business, and the Art Market, as well as producing numerous international exhibitions and collaborative projects. Author affiliation details are correct at time of print publication.

Jesse Alexander is a freelance photographer, writer and educator. He has contributed articles and criticism for numerous print and online photographic publications and has taught photography and visual culture in colleges and universities in the UK. Jesse completed an MFA in Documentary Photography at the University of Wales, Newport and continues to pursue documentary projects that explore our socio-political relationship to the landscape and our environment. Author affiliation details are correct at time of print publication.