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First Draft

Robert Edgar-Hunt

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Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is Senior Lecturer in Film and Literature at York St John University where he has both taught and developed undergraduate courses in Scriptwriting. Author affiliation details are correct at time of print publication.

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James Richards

James Richards

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Basics Film-Making 02: Screenwriting

AVA Publishing SA, 2012

Book chapter

...The Spy Who Loved Me (dir: Lewis Gilbert 1977)What is the Bond villain’s downfall? They break the golden rule of how to successfully dispense with your nemesis. This is also the golden rule of screenwriting – keep it simple.The patron saint...

Second Draft

Robert Edgar-Hunt

,

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is Senior Lecturer in Film and Literature at York St John University where he has both taught and developed undergraduate courses in Scriptwriting. Author affiliation details are correct at time of print publication.

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and

James Richards

James Richards

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Basics Film-Making 02: Screenwriting

AVA Publishing SA, 2012

Book chapter

...The Apartment (dir: Billy Wilder 1960)Refining your script is essential. Long expositionary dialogue could have been used to let us know about Baxter’s predicament. Yet, the recurrent image of Baxter trapped in the vast office says it all...

Script Editing

Robert Edgar-Hunt

,

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is Senior Lecturer in Film and Literature at York St John University where he has both taught and developed undergraduate courses in Scriptwriting. Author affiliation details are correct at time of print publication.

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and

James Richards

James Richards

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Basics Film-Making 02: Screenwriting

AVA Publishing SA, 2012

Book chapter

...The Bad and the Beautiful (dir: Vincente Minnelli 1952)Jonathan Shields’s determination to be a Hollywood big shot makes him the villain of the piece. His success is at the expense of the writers. Effective script editing is about working...

What is a Screenplay?

Robert Edgar-Hunt

,

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is Senior Lecturer in Film and Literature at York St John University where he has both taught and developed undergraduate courses in Scriptwriting. Author affiliation details are correct at time of print publication.

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and

James Richards

James Richards

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Basics Film-Making 02: Screenwriting

AVA Publishing SA, 2012

Book chapter

...A daily scene from a typical screenwriter’s desk‘True originality is hiding your sources’ (Albert Einstein).Generating ideas can be the hardest part of screenwriting and it’s about more than staring at a computer screen.Screenwriting...

Scriptwriting

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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The Fundamentals of Film-Making

AVA Publishing SA, 2008

Book chapter

...How do you conjure an idea for a film? What inspires you to sit down and start writing? The creative urge can come from many places; life, friends, the news, a photograph, a painting, dreams or a piece of music are all classic starting...

The Animator as Interpreter

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Samantha Moore

Samantha Moore teaches animation at the University of Wolverhampton, UK. Author affiliation details are correct at time of print publication.

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The Fundamentals of Animation

Fairchild Books, 2016

Book chapter

...Inventing scenarios, writing scripts and creating funny material are all particular interpretative and creative skills needed by the animator. What solutions are dramatically viable, offer comic situations and are particularly suited...

Initial Approaches

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Basics Animation 01: Scriptwriting

AVA Publishing SA, 2007

Book chapter

...Title: Max MillerAnimator: Brian LarkinsOnce the animation writer has a sense of the language at their disposal and a recognition of the context in which they might work, it is essential to generate relevant and engaging material....

Character Development Over Time

Nancy Beiman

Nancy Beiman is a professor at the Sheridan Institute of Technology and Advanced Learning in Oakville, Canada. She has produced, directed, designed, storyboarded and animated for television commercials, specials, features, and new media projects. Her employers have included The Walt Disney Company, Warner Brothers Animation and Bill Melendez Productions. Author affiliation details are correct at time of print publication.

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Animated Performance : Bringing Imaginary Animal, Human, and Fantasy Characters to Life

Fairchild Books, 2016

Book chapter

...An animated character develops a character arc by learning a life lesson, realizing an error, overcoming an obstacle, or discovering its own inner strength.The difference between the character arc and story arc is explained in this chapter....

Concept/Treatment/Pitch

Robert Edgar-Hunt

,

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is Senior Lecturer in Film and Literature at York St John University where he has both taught and developed undergraduate courses in Scriptwriting. Author affiliation details are correct at time of print publication.

Search for publications
and

James Richards

James Richards

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Basics Film-Making 02: Screenwriting

AVA Publishing SA, 2012

Book chapter

...Jaws (dir: Steven Spielberg 1978)Shark attacks island: Jaws has an apparently simple concept behind it. Actually, the concept is about much more: friendship, honour, comradeship and masculinity. Whatever your initial concept, you...

Definitions

Paul Wells

Paul Wells is a professor of animation at Loughborough University, UK. Author affiliation details are correct at time of print publication.

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Basics Animation 01: Scriptwriting

AVA Publishing SA, 2007

Book chapter

...Title: Charlie and LolaAnimator: Tiger Aspect ProductionsAnimation is a particular and distinctive form of expression. If a writer, deviser or creator of animation is to succeed in properly engaging with and exploiting animation as a form...